Winnipeg-born singer-songwriter Cassidy Mann does a lot of reminiscing on her new EP, If It’s Not Forever. The songs here are preoccupied with the evocative moments from love affairs that stick with you long after the relationship ends.
Multidisciplinary artist Maylee Todd has had a wild, varied career. Beginning her career as a comedian, she has since branched out into performance art, animation and music. All these elements come together on her ambitious new project Maloo.
Rainy Day Ritual is the brainchild of Samwauw, or just Sam, a young artist with a lot on his mind.
Despite recent strides, inequality and a lack of representation persist in the music production world. This field in particular is a very male-dominated space, with women representing only 2.6 per cent of producers credited on the highest-charting songs of the 2010s in America. Local songwriter, artist and producer Lana Winterhalt sees a complex history behind this issue.
How Is It That I Should Look At The Stars is indeed a more nocturnal, wistful record than the danceable, brooding Ignorance. The arrangements for these songs float, unmoored by time, carried largely by spare piano work adorned with pillowy ribbons of woodwinds and warm upright bass. This ethereal, minimal production establishes a very direct emotional connection with the listener, highlighting Lindeman’s voice.
Dallas Good, singer and guitarist of Toronto-based band the Sadies, passed away on Feb. 17. As described in the announcement, it was a sudden death of natural causes at the tragically young age of 48.
OMBIIGIZI, a new collaborative project from artists Zoon and Status/Non-Status, is about searching. Sewn Back Together, as the title implies, establishes that the pair has been broken apart somehow, left looking for their place in history, their identity, trying to mend themselves.
Basia Bulat, like many of us, spent the pandemic slowing down. She describes spending time in the garden, putting down roots and waiting for melodies and songs from her past to come back to her. The title track of her new record, The Garden, served as a guiding light for this process.
Sam Weber, a Canadian-born, newly minted Angeleno, follows in a long line of SoCal folk-rockers. Echoes from Laurel Canyon resonate in his music: the sound of transplants from across the continent, like Neil Young and Joni Mitchell, or the consummately pro singer-songwriters of the ’70s, like Warren Zevon and Randy Newman. But as Weber says in “Survival,” he’s “not looking for some ’70s revival.”
Ghostly Kisses’s work is overflowing with restraint. Singer-songwriter Margaux Sauvé and her partner Louis-Étienne Santais recorded her debut full-length Heaven, Wait largely at home, and the music reflects this with a whispery intimacy.