The sadies take the night
Steal the show as Greg Keelor’s backing band
TIMOTHY BROWN STAFF
Last Tuesday Andre Ethier, the Sadies and Greg Keelor played at the Pyramid. For those that were in attendance, it was a great time. For those that weren’t, well, I’m here to tell you what you missed.
Starting off the evening was Andre Ethier. For the first half of the set, if you’d closed your eyes, you might have sworn you were listening to Bob Dylan. It was a stripped-down set, with just Andre and his guitar. It was decent, and it did improve as the performance progressed; however, his Bob Dylan- “influenced” songs were just too similar to the legendary folk artist. If I wanted to listen to Bob Dylan, I’d go and put on Blonde on Blonde. Ethier is still a credible artist, he’s even part of the Deadly Snakes out of Toronto. Playing like artists who inspire you is good, but when it’s too similar, it seems that you’re either ripping that artist off, or you just lack the ability to make original music. However, as the night progressed, so did Ethier’s music once he started branching off into territory that was more his own.
Next up, was the band I came to see: the Sadies. They’re from Toronto, but one might be forgiven for mistaking them as locals, with all the shows they’ve played in Winnipeg recently. It was still a fun set, though. Using a mixture of beautiful, almost psychedelic instrumentals with oldfashioned rockabilly and country songs, the entire set was thoroughly entertaining. Probably the most appealing aspect of the Sadies’ performance was the vocals. Using very low notes, they added something extra to already fantastic songs.
The Sadies are a four-piece band, consisting of two guitar players (one of which also alternates with the fiddle), a stand-up bass player, and drummer. It’s a pretty standard set-up, but they manage to build such a large, intricate sound that it seems like there should be a lot more happening on stage than there really is. Their presence is so immense that if it

